{"id":87850,"date":"2026-10-09T18:18:07","date_gmt":"2026-10-09T16:18:07","guid":{"rendered":"https:\/\/adornobcn.com\/banc-homenatge-a-george-nakashima\/"},"modified":"2026-10-09T18:47:53","modified_gmt":"2026-10-09T16:47:53","slug":"banc-homenatge-a-george-nakashima","status":"publish","type":"post","link":"https:\/\/adornobcn.com\/ca\/banc-homenatge-a-george-nakashima\/","title":{"rendered":"Banc Homenatge a George Nakashima"},"content":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”492228″]<\/p>\n

Harmoniosa combinaci\u00f3 entre un moble funcional i una experi\u00e8ncia escult\u00f2rica.<\/span><\/h2>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_single_image media=”87757″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ alignment=”center” lbox_connected=”yes” uncode_shortcode_id=”112411″][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text uncode_shortcode_id=”157803″]Un moble, m\u00e9s enll\u00e0 del disseny i els materials, sempre t\u00e9 un significat molt supeditat al seu \u00fas, a la funci\u00f3 per al que va ser creat.<\/span><\/p>\n

Una escultura m\u00e9s enll\u00e0 de l’estil i els materials sorgeix de la necessitat de l’artista d’expressar una idea, una emoci\u00f3.<\/span><\/p>\n

Integrant tots dos conceptes hem creat el nostre banc “Homenatge a George Nakashima”. Una pe\u00e7a \u00fanica i imponent, de 2,5 metres de llargada, creada de forma completament artesanal combinant fusta de noguera del Pirineu i acer inoxidable.<\/span><\/p>\n

La nostra inspiraci\u00f3: George Nakashima<\/span><\/strong><\/h3>\n

George Nakashima (1905-1990) considerava la fusta com un element viu, que respira. La seva m\u00e0xima era que cada tall de fusta t\u00e9 una \u00fanica destinaci\u00f3 ideal i \u00e9s la mestria de qui la treballa trobar aquesta creaci\u00f3 que li permeti desplegar tot el seu potencial.<\/span><\/p>\n

Kodama, l’esperit de l’arbre en japon\u00e8s, ens convida a connectar amb l’ess\u00e8ncia de cada arbre de manera \u00edntima. I \u00e9s aquest comprom\u00eds de treballar des del nostre respecte m\u00e9s profund per l’arbre que llavors ens permet donar-li una segona vida.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image media=”87766″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ lbox_connected=”yes” uncode_shortcode_id=”131622″][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/6″][vc_single_image media=”87839″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ lbox_connected=”yes” uncode_shortcode_id=”582141″][\/vc_column][vc_column width=”3\/6″][vc_column_text uncode_shortcode_id=”140954″]<\/p>\n

L’origen:<\/span><\/strong><\/h3>\n

L’imponent tros de noguera del Pirineu amb qu\u00e8 hem fet el banc Homenatge a George Nakashima formava part d’un lot molt especial que vam comprar fa uns anys. Quan ho vam veure ens vam enamorar d’ell. En aquell instant vam decidir que hav\u00edem de fer una pe\u00e7a que permeti que llueixi tota la seva bellesa i majestuositat, que rendeixi homenatge a la vida de l’arbre del qu\u00e8 prov\u00e9.
\nUns anys despr\u00e9s vam descobrir l’obra de Nakashima, i en va sorgir la idea base (una filosofia o declaraci\u00f3 d’intenci\u00f3, m\u00e9s que un disseny concret).<\/span><\/span><\/p>\n

Despr\u00e9s de fer el carro per al restaurant Jardin de Sens, a Montpeller (Fran\u00e7a), i la taula de summelier per al restaurant Lluerna, a Santa Coloma de Gramenet (Catalunya, Espanya) aquesta idea estava m\u00e9s clara: crear un banc-bosc, amb delicats arbres d’acer inoxidable a manera de fer-nos damunt de la fusta i elevar la fusta les copes dels arbres, gaireb\u00e9 als n\u00favols.[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/6″ uncode_shortcode_id=”198669″][vc_single_image media=”87826″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ lbox_connected=”yes” uncode_shortcode_id=”812786″][vc_single_image media=”87829″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ lbox_connected=”yes” uncode_shortcode_id=”932443″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ equal_height=”yes” gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”202486″][vc_column width=”3\/4″][vc_column_text uncode_shortcode_id=”150260″]<\/p>\n

Com ho vam fer:<\/span><\/strong><\/h3>\n

Comencem a polir la fusta, respectant la seva forma original, i descobrim que la veta \u00e9s m\u00e9s espectacular del que semblava. Per\u00f2 el ritme trepitant de la feina a les nostres peces seriades, no ens permetia dedicar-li la cura i la dedicaci\u00f3 que aquesta pe\u00e7a necessitava, aix\u00ed que la fusta va estar al nostre magatzem, esperant el moment adequat, durant m\u00e9s de dos anys. Al magatzem la fusta es va ondular molt lleument, per\u00f2 aix\u00f2, lluny de ser un problema, va donar un aire m\u00e9s eteri a la pe\u00e7a.
\nPolim la fusta amb diverses vidres deiferents, cada cop m\u00e9s fines, fins a aconseguir un tacte “hipersuau”, que la fa extremadament acaronable. Omplim algun forat que tenia amb resina transparent, pensant en un manteniment f\u00e0cil. I, pensant tant a ressaltar la bellesa natural de la fusta i que l’\u00fas sigui c\u00f2mode, protegim la fusta amb un oli natural de dos components incolor lustrat a m\u00e0.<\/span><\/span><\/p>\n

Els petits arbres d’acer inoxidable estan formats per petits trossos de tub i rod\u00f3 d’acer inoxidable, de di\u00e0metres cada cop m\u00e9s petits a mesura que ens allunyem del terra. Cada tros es talla, es poleix i se solda el conjunt. Despr\u00e9s es reforcen aquestes soldadures i es poleixen les diferents parts de l’incipient arbre de manera que, el que en un primer moment nom\u00e9s semblen trossos de metall soldats entre si, comen\u00e7a a recordar cada vegada m\u00e9s un arbre a la tardor. Un treball minuci\u00f3s i detallista, en qu\u00e8 es creen les branques a l’aire, des del buit, fins a obtenir la forma que tenim al cap. L’acer inoxidable tamb\u00e9 es poleix diverses vegades, amb discos de diferents grans, fins a obtenir l’acabat exacte que volem.<\/span><\/p>\n

El respatller del banc \u00e9s tamb\u00e9 un homenatge\/interpretaci\u00f3 de l’estil de George Nakashima, ocupant nom\u00e9s una part dels 2,5 metres de longitud del banc (per donar-li m\u00e9s “aire” a la fusta) i amb un aire molt minimalista, encara que tamb\u00e9 org\u00e0nic: 3 delicades branques d’acer inoxidable sostenen una l\u00ednia de metre i mig de longitud, a modo d’esbo\u00e7.<\/span><\/p>\n

En aquesta etapa \u00e9s de vital import\u00e0ncia el suport incondicional de Fronius. Gr\u00e0cies als seus equips i assessorament, podem aconseguir que el metall es comporti exactament com desitgem.<\/span><\/p>\n

Totes les mides i inclinacions del banc les hem decidit tenint en compte l’ergonomia dels seients.<\/span>[\/vc_column_text][\/vc_column][vc_column column_width_percent=”90″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”308706″][vc_single_image media=”87763″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ lbox_connected=”yes” uncode_shortcode_id=”105453″][vc_single_image media=”87775″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ lbox_connected=”yes” uncode_shortcode_id=”208447″][vc_single_image media=”87769″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ lbox_connected=”yes” uncode_shortcode_id=”133637″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”150260″]<\/p>\n

El resultat: Hem creat una pe\u00e7a escult\u00f2rica que es pot utilitzar com a banc.<\/span><\/strong><\/h3>\n

Una pe\u00e7a de col\u00b7lecci\u00f3, pensada per durar, per passar de generaci\u00f3 en generaci\u00f3.<\/span><\/p>\n

Hem fet un homenatge a l’obra George Nakashima sense copiar-la, reinterpretant-la, aportant la nostra visi\u00f3 escult\u00f2rica i la nostra passi\u00f3 per la combinaci\u00f3 de materials. I hem aconseguit donar una segona vida a aquesta porci\u00f3 d’aquell arbre que, quan va arribar al final de la seva vida, continua viu al nostre banc.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image media=”87787″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ lbox_connected=”yes” uncode_shortcode_id=”390329″][\/vc_column][vc_column width=”1\/3″][vc_single_image media=”87784″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ lbox_connected=”yes” uncode_shortcode_id=”123699″][\/vc_column][vc_column width=”1\/3″][vc_single_image media=”87790″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ lbox_connected=”yes” uncode_shortcode_id=”764142″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”492228″] Harmoniosa combinaci\u00f3 entre un moble funcional i una experi\u00e8ncia escult\u00f2rica. [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_single_image media=”87757″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ alignment=”center” […]<\/p>\n","protected":false},"author":1,"featured_media":87839,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-87850","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-adorno"],"yoast_head":"\nBanc Homenatge a George Nakashima - Adorno BCN<\/title>\n<meta name=\"description\" content=\"Harmoniosa combinaci\u00f3 entre un moble funcional i una experi\u00e8ncia escult\u00f2rica. Noguera del Pirineu i acer inoxidable. 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