{"id":84182,"date":"2021-01-18T13:49:11","date_gmt":"2021-01-18T11:49:11","guid":{"rendered":"http:\/\/adornobcn.efimatica.com\/?p=84182"},"modified":"2025-01-15T16:20:29","modified_gmt":"2025-01-15T14:20:29","slug":"carpe-diem-ii","status":"publish","type":"post","link":"https:\/\/adornobcn.com\/ca\/carpe-diem-ii\/","title":{"rendered":"Continuem caminant: CARPE DIEM II"},"content":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_column_text]Seguint amb el relat de la nostra hist\u00f2ria, arribem a l’any 2016.<\/p>\n

Feia un any que no sab\u00edem res del nostre \u00fanic client de vaixella en aquest moment i, de sobte, vam rebre una trucada. Hi havia hagut canvis en Carpe Diem: ara hi havia un nou xef, el Rodrigo Hurtado.[\/vc_column_text][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text]El primer projecte que vam fer amb el Rodrigo va ser les broquetes. L’excel\u00b7l\u00e8ncia en la presentaci\u00f3 dels plats arriba a el punt de fabricar unes broquetes especialment dissenyades pel restaurant. Van causar tant de furor que molts clients se’ls portaven com a record de l’experi\u00e8ncia i era habitual veure noies amb el cabell recollit subjectat pels pinxos. Sort que el cap de compres s’ho prenia amb humor.<\/p>\n

Aquest projecte pot semblar molt senzill, per\u00f2 hi ha moltes coses a tenir en compte a l’hora de dissenyar unes broquetes, entre elles, el fet que es pugui subjectar sense cremar-se.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_single_image media=”84223″ media_width_percent=”100″ border=”yes”][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_single_image media=”84226″ media_width_percent=”100″ border=”yes”][\/vc_column_inner][\/vc_row_inner][vc_column_text]El Rodrigo \u00e9s un enamorat de la fusta i de la cer\u00e0mica artesanal, el que es nota en les peces que desenvolupem junts.<\/p>\n

La primera va ser la presentaci\u00f3 dels curris, amb una base de fusta massissa en forma de gota\/p\u00e8tal de flor i dos bols de cer\u00e0mica on es presenten el curri i l’arr\u00f2s.<\/p>\n

El va seguir el plat de les quesadillas<\/em>: un mix entre els estils oriental i mexic\u00e0. Una pe\u00e7a apilable amb una base amb potes molt japoneses i unes divisions en forma de flor de lotus per a un plat t\u00edpic mexic\u00e0.[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image media=”84229″ media_width_percent=”100″ border=”yes”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”84232″ media_width_percent=”100″ border=”yes”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”84253″ media_width_percent=”100″ border=”yes”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”84256″ media_width_percent=”100″ border=”yes”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=”100″ position_vertical=”middle” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_column_text]Amb el Rodrigo vam reversionar el plat per a Kobe amb pedra calenta, canviant completament l’estil del plat: ara \u00e9s m\u00e9s gran, per a incloure el jard\u00ed de vegetals que acompanya la carn, es va canviar el material de la base, abans de cer\u00e0mica, ara de fusta i es va canviar la forma de la pedra calenta, ara \u00e9s una impactant flor que “flota” sobre la fusta.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”84235″ media_width_percent=”100″ border=”yes”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”84238″ media_width_percent=”100″ border=”yes”][\/vc_column_inner][\/vc_row_inner][vc_column_text]En aquesta etapa tamb\u00e9 es van dissenyar i fabricar un seguit de plats de cer\u00e0mica de l\u00ednies orientals, amb una est\u00e8tica caracter\u00edstica: peces gruixudes, de forma quadrada o rectangular, de gres refractari negre, amb les vores decorats amb l\u00ednies que recorden a la cal\u00b7ligrafia japonesa.[\/vc_column_text][vc_column_text]Una carn com la mitjana de Nebraska necessitava un plat especial, i l’hi vam donar. Vam crear un plat de cer\u00e0mica molt r\u00fastica, amb molta for\u00e7a, amb potes, per donar-li un aire m\u00e9s elegant, i amb els compartiments per a la carn, la salsa, la guarnici\u00f3.[\/vc_column_text][vc_column_text]Trencant completament el concepte cl\u00e0ssic de plat per a sushi, vam crear la pe\u00e7a per l’assortiment de niguiris. Un assortiment de luxe que necessitava una presentaci\u00f3 espectacular. Triem el metall daurat, que queda tan b\u00e9 en un ambient com Carpe Diem, amb un disseny que recorda a les algues de la mar i al moviment de les onades.[\/vc_column_text][vc_row_inner][vc_column_inner column_width_percent=”100″ position_vertical=”middle” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_gallery el_id=”gallery-136128″ type=”carousel” medias=”84214,84217″ carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”3″ carousel_interval=”3000″ carousel_navspeed=”400″ carousel_loop=”yes” carousel_dots=”yes” carousel_dots_mobile=”yes” stage_padding=”0″ single_overlay_opacity=”50″ single_padding=”2″ no_double_tap=”yes” uncode_shortcode_id=”107734″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ position_vertical=”middle” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_gallery el_id=”gallery-2096493″ type=”carousel” medias=”84241,84244″ carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”3″ carousel_interval=”3000″ carousel_navspeed=”400″ carousel_loop=”yes” carousel_dots=”yes” carousel_dots_mobile=”yes” stage_padding=”0″ single_overlay_opacity=”50″ single_padding=”2″ no_double_tap=”yes” uncode_shortcode_id=”633631″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ position_vertical=”middle” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_gallery el_id=”gallery-209649″ type=”carousel” medias=”84247,84250″ carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”3″ carousel_interval=”3000″ carousel_navspeed=”400″ carousel_loop=”yes” carousel_dots=”yes” carousel_dots_mobile=”yes” stage_padding=”0″ single_overlay_opacity=”50″ single_padding=”2″ no_double_tap=”yes” uncode_shortcode_id=”410200″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]I quan saps que un xef t\u00e9 debilitat per un cert material, li ofereixes els tresors que et trobes. I aix\u00ed van sortir unes \u00faniques 7 peces d’una fusta que ten\u00edem guardada des de feia molts anys, a l’espera de tenir una bona idea per aprofitar-la. Era una cosa aix\u00ed com un tros de branca, metre i mig de fusta d’una tonalitat misteriosa i d’un arbre que mai vam saber identificar (vam preguntar a experts i tampoc ens ho van saber dir). Unes rodanxes amples de fusta on emplatar els niguiris de 2 en 2, que recorden a les antigues fustes de tall.<\/p>\n

I continuem caminant, acompanyant a el grup CDLC en el seu cam\u00ed.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”84259″ media_width_percent=”100″ border=”yes”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image media=”84262″ media_width_percent=”100″ border=”yes”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Many years ago, I worked for my parents who own a video production company. Because it is a family business, you inevitably end up wearing many hats and being the czar of many different jobs. I mainly managed projects and worked as a video editor. On production, there were times that I was called on to work as an audio tech and was made to wear headphones on long production days. In those days, having a really good set of headphones that picked up every nuance of sound was essential to making sure the client got what they needed.<\/p>\n","protected":false},"author":1,"featured_media":84250,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-84182","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-adorno"],"yoast_head":"\nContinuem caminant: CARPE DIEM II - Adorno BCN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/adornobcn.com\/ca\/carpe-diem-ii\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Continuem caminant: CARPE DIEM II - Adorno BCN\" \/>\n<meta property=\"og:description\" content=\"Many years ago, I worked for my parents who own a video production company. 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